The New Songwriter Economy Recap – Billboard


On Thursday, March 16, Billboard’s editorial director Hannah Karp moderated a Featured Speaker panel known as “Music Publishing within the New Songwriter Economic system.” The compelling dialog featured a lineup that Karp known as “music’s most entrepreneurial songwriters and publishers.” 

Panelists included Warner Chappell Music’s co-chair and CEO Man Moot alongside two of the writer’s famous person producers, Murda Beatz and Nova Wav (the duo of Brittany “Chi” Coney and Denisia “Blu June” Andrews).

The foursome mentioned the brand new songwriting economic system, with Karp teasing “they promised to share secrets and techniques to become profitable — and it’s not utilizing Chat GPT.” And as Moot famous, although the trade is “quickly altering,” he believes songs are and all the time shall be “the essence” of the music trade. 

But, regardless of being such a spine, songwriters and producers proceed to face acquainted and new challenges, from getting paid to competing with synthetic intelligence. “We gotta get all the cash,” Murda mentioned bluntly, talking of his greatest impediment. “We needs to be getting athlete contracts. Generally we receives a commission fast, however generally [it takes] months.”

To which Coney added: “We’re creating music for the long run.”

Under are the 5 greatest classes discovered from the panel. 


“We weren’t searching for a writer, we had been searching for a partnership,” mentioned Coney, talking of Nova Wav signing with WMC. She cited a business the duo did with Lexus and an upcoming Bose alternative, and mentioned, “Warner has been doing a tremendous job at ensuring we’re nicely taken care of. Music is the automobile, however our model is far greater.” 

Added Murda: “As creators, we’ve to diversify. You don’t need all of your eggs in a single basket … That’s an enormous function, branding your self and constructing one thing that’s very sustainable. It creates longevity, so that you’re not identified for only a hit.”

“A giant a part of our job is getting our songs observed, so we’re additionally a part of the promotion course of,” defined Moot. “Internationally, it’s essential for American writers to journey and us as publishers to coach on the alternatives and potential [overseas]. These are large markets, and individuals are open to collaborating.” 


Moot mentioned the truth that creators are “style agnostic” right now “is a superb factor … There may be an urge for food to collaborate with completely different music codecs” — and particularly with artists from different international locations. He predicted C-pop will quickly have a mainstream second very similar to Okay-pop, and mentioned WMC is encouraging its writers to journey to Asia. “It’s a fertile place to jot down. I say on a regular basis, ‘Why does everybody need to come to L.A. and get in that one room?’”

“Concentrate on Asia for six months, after which with the creds on the market you’ll be able to come again to L.A. and have a better time getting in rooms right here,” added Murda.


When requested what probably the most profitable solution to spend time right now is, Coney definitively mentioned movie, explaining the duo can earn 1000’s of {dollars} writing a tune for a movie. Murda added that commercials pay much more: “American Categorical will take a tune for half 1,000,000 or one thing.”

But, Moot cautioned, “It’s not simply concerning the cash, it’s about what number of eyeballs… Teenagers uncover music on a Netflix present or social media. Worth is in {dollars}, however it’s additionally in consciousness and getting observed.”

He additionally shared an essential professional tip: “Most of our greatest synch songs are by no means written for synch… We by no means thought Lizzo would get this many, it simply occurs. I’ll say in case you use the phrase ‘sunshine,’ that’s the preferred phrase for synch. However it’s an artform, we shouldn’t downplay that. However I believe in case you’re pondering, ‘That is going to get a synch,’ [it won’t].”


Whereas Coney admitted AI “is a little bit scary,” she additionally mentioned, “I do assume [we need to] put it to use within the right methods — as a result of it’s right here to remain, it’s rising like a wildfire. We’ve been pondering of how to essentially use AI to our benefit. Approaching AI on the songwriting aspect so far as making an app or plug-in for individuals who don’t have a loopy voice as a demo singer… [We talked about making] a plug-in with [Blu June’s] voice and [having users] kind within the phrases, however that began occurring with AI. We’re specializing in how can we combine and be higher with what’s already out.”

Moot agreed, encouraging the packed room to “simply embrace it. I’ve seen so many individuals try to shut it down, however it’s some of the thrilling developments I’ll ever see in my profession and lifelong.” He additionally defined the chance AI might create for a tiered system, with the worth of “human imperfection” rising, and in the end pushing a category of producers and songwriters to a better, “prime tier” stage.

“On the finish of the day, we’re tastemakers,” concluded Murda. “We’re wished for our style and AI can’t specific that. Always remember that you’re the style.”


When requested about one of the best suggestions for cash administration, Murda supplied an unconventional reply: “You gotta spend cash then you discover ways to put it aside. For those who’re lucky sufficient to become profitable off this shit, spend that shit too. Deal with your self and discover belongings you’re enthusiastic about to put money into.”

As for Nova Wav, the pair supplied a barely completely different, however very worthwhile, lesson: “We’ve discovered to pay them taxes.”

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