The Classic Soul Songs Bruce Springsteen Covers on His New Album

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At age 73, a long time deep into one among rock’s most storied careers, Bruce Springsteen does not must experiment. However he made some extent of pushing himself — by highlighting his vocals above all else — on his upcoming LP of soul covers, Only the Strong Survive

“I made a decision to do one thing I had by no means accomplished earlier than: make some music that’s centered round singing, round difficult my voice,” he stated in a YouTube video saying the document, out Nov. 11. “Now, in my very own memoir, I give my voice a bit brief shrift by saying I did not suppose I had a lot of 1. However as soon as I began on this mission, after listening to among the issues we minimize, I believed, ‘My voice is badass!'”

Springsteen will take a look at that premise throughout 15 tracks, tackling classics from artists like Aretha Franklin, 4 Tops, the Temptations and the Commodores, amongst others. As a primer for the mission, this is some fast background on every tune.

“Solely the Sturdy Survive,” Jerry Butler (1968)

Jerry Butler, the unique lead vocalist of R&B group the Impressions, recorded this sweetly optimistic, string-backed tune for his 1968 LP, The Ice Man Cometh. Co-authored by iconic Philly soul songwriting duo Kenny Gamble and Leon Huff, “Solely the Sturdy Survive” turned one of many singer’s signature tracks, reaching No. 4 on the Billboard Scorching 100 and provoking different covers from Elvis Presley, nation singer Skeeter Davis and jazz-fusion guitarist Larry Carlton.

 

“Soul Days,” Dobie Grey (2001) 

Dobie Grey is greatest remembered for his streak of hits within the ’60s and ’70s, together with his greatest single, 1973’s “Drift Away.” The breezy “Soul Days” is the title monitor from one among his later LPs, a 2001 mission that includes principally covers. And it’s a throwback in each sense, with Grey singing over nostalgic horns about his love of music and cruising in his Chevrolet.

 

“Nightshift,” the Commodores (1985) 

Commodores drummer Walter Orange, who beforehand belted the band’s 1977 smash “Brick Home,” takes the lead once more for this groovy, reflective monitor. Co-written by versatile execs Dennis Lambert and Franne Golde, the 1985 ballad — which peaked at No. 3 on the Scorching 100 — is basically a tribute to 2 of the nice soul singers, Marvin Gaye and Jackie Wilson, who died the earlier 12 months.

 

“Do I Love You (Certainly I Do),” Frank Wilson (1965)

On the top of Motown’s success within the ’60s and ’70s, Frank Wilson turned one of many label’s chief writers and producers, helming tracks for stars just like the Supremes, Gaye and Stevie Wonder. Early on, he additionally recorded this “Tears of a Clown”-like one-off for Motown subsidiary Soul — however solely a small variety of demo 45s have been pressed, and the remaining have been destroyed. (Not less than two copies reportedly survived, making it some of the sought-after vinyl rarities in existence.)

 

“The Solar Ain’t Gonna Shine Anymore,” Frankie Valli (1965) / The Walker Brothers (1966)

This beaming orchestral ballad, co-written by Bob Crewe and Bob Gaudio, originated as a solo single for Frankie Valli. The unique model was a relative business flop — it took yet another 12 months, and a delicate blue-eyed soul makeover from pop trio the Walker Brothers, to provide the monitor its second. With a swifter tempo and extra dramatic vocal supply, their 1966 cowl topped the U.Okay. charts and hit No. 13 on the Scorching 100 — cementing the tune as a staple and, a long time later, resulting in covers from each Cher and Keane.

 

“Flip Again the Palms of Time,” Tyrone Davis (1970)

With “Flip Again the Palms of Time,” Tyrone Davis channeled loneliness and remorse into one of many sweetest, most nakedly romantic soul hits of his period. Co-written by Jack Daniels and Bonnie Thompson, the music topped Billboard’s R&B chart and hit No. 3 on the Scorching 100, changing into one among his signature singles (together with 1968’s “Can I Change My Thoughts” and 1975’s “Turning Level”).

 

“When She Was My Woman,” the 4 Tops (1981)

This strutting, harmonica-heavy single propelled the previous Motown giants again to the Prime 20, giving them their greatest hit in eight years. Co-written by Larry Gottlieb (who later penned tracks for Blue Oyster Cult and Kenny Rogers, amongst many others) and Marc Blatte, “When She Was My Woman” marked the top of the group’s prime business period, even choosing up a Grammy nomination for Finest R&B Tune.

 

“Hey, Western Union Man,” Jerry Butler (1968)

Like “Solely the Sturdy Survive,” this swaggering single was co-authored by the hit-making Gamble and Huff. Butler’s story of an pressing telegram (“Ship a field of sweet, too, and possibly some flowers”) is supported by an expensive association, constructed on funky drumming and regal strings. It reached No. 16 on the Scorching 100, and it shortly turned a basic — Diana Ross and the Supremes even coated it the subsequent 12 months for his or her album Let the Sunshine In.

 

“I Want It Would Rain,” the Temptations (1967)

The Temptations initially launched “I Want It Would Rain” in 1967 on Motown’s Gordy imprint. It is a gut-wrenching music a few man who discovers his girl was dishonest on him. All he desires to do is cry, and he desperately hopes for rain so the drops can obscure his tears, as a result of “everybody is aware of {that a} man ain’t imagined to cry.” “I Want It Would Rain” reached No. 4 on the Billboard Scorching 100 and topped the R&B chart, and it was later coated by the Faces, Gladys Knight and the Pips, and Aretha Franklin.

 

“Do not Play That Tune,” Ben E. King (1962)

Ben E. King launched “Do not Play That Tune (You Lied)” because the title monitor off his 1962 album Do not Play That Tune! Written by Atlantic Information co-founder Ahmet Ertegun and King’s spouse Betty Nelson, “Do not Play That Tune (You Lied)” climbed to No. 2 on the R&B chart and No. 11 on the Scorching 100. Aretha Franklin took the monitor even greater when she launched a canopy on her 1970 album Spirit within the Darkish, sending it as soon as once more to No. 11 on the Scorching 100 and No. 1 on the R&B chart for 5 weeks.

 

“Any Different Manner,” William Bell (1962)

William Bell initially launched “Any Different Manner” on Stax Information in 1962. It didn’t make a giant splash on the charts, peaking at No. 131 on the Scorching 100. Singer Chuck Jackson had barely extra success together with his 1963 cowl of the music, which reached No. 81 on the Scorching 100 and No. 47 on the R&B chart.

 

“I Forgot to Be Your Lover,” William Bell (1968)

William Bell scored a Prime 10 R&B chart hit together with his 1968 single “I Forgot to Be Your Lover,” which additionally peaked at No. 45 on the Scorching 100. These days, although, listeners could also be extra accustomed to Billy Idol‘s cowl of the music, which appeared on 1986’s Whiplash Smile underneath the title “To Be a Lover.” Idol reimagined Bell’s mournful soul ballad as an upbeat new wave monitor, stuffed with peppy rock ‘n’ roll piano and his raspy, Elvis-esque snarl. The face-lift paid off, as “To Be a Lover” soared to No. 6 on the Scorching 100, granting the punk rocker his second Prime 10 hit within the U.S.

 

“7 Rooms of Gloom,” 4 Tops (1967)

4 Tops issued “7 Rooms of Gloom” as a single on Motown Information in 1967. Powered by Levi Stubbs’ fiery, anguished lead vocal and propulsive drumming, the throbbing soul-rocker reached No. 14 on the Scorching 100 and No. 10 on the R&B chart. Nearly 20 years later, Pat Benatar gave the music an arena-rock makeover for her sixth LP, 1985’s Seven the Arduous Manner.

 

“What Turns into of the Brokenhearted,” Jimmy Ruffin (1966)

Jimmy Ruffin scored a Prime 10 hit on the Scorching 100 (No. 7) and the R&B chart (No. 6) with the 1966 lovelorn soul ballad “What Turns into of the Brokenhearted.” Songwriters  William Weatherspoon, Paul Riser and James Dean are each poignant and unfiltered of their depictions of all-consuming heartache: “Daily heartaches develop a bit stronger / I am unable to stand this ache for much longer / I stroll in shadows, looking for gentle / Chilly and alone, no consolation in sight.” Eighties British pop star Paul Younger coated the music for 1991’s Fried Inexperienced Tomatoes soundtrack, scoring a No. 1 grownup modern hit.

 

“Sometime We’ll Be Collectively,” Johnny & Jackey (1961)

Johnny Bristol and Jackey Beavers wrote “Sometime We’ll Be Collectively” with Harvey Fuqua; the previous two launched the music as Johnny & Jackey in 1961 for the Tri-Phi label. The music earned some regional success, however it took on a brand new life after Motown purchased Tri-Phi and Diana Ross & the Supremes launched their model in 1969. The duvet topped the Scorching 100 in late December 1969, marking the final No. 1 hit of the last decade and the ultimate Supremes music earlier than Ross left the group to embark on a solo profession.

Bruce Springsteen Albums Ranked

As a result of he spent so lots of his youth painstakingly crafting his albums, we don’t typically consider Bruce Springsteen as a prolific artist.





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