Sammy Hagar and the Circle, ‘Crazy Times’: Album Review


The road separating traditional rock and fashionable nation music turned thinner years in the past, so it hardly comes as a shock when artists make the bounce between genres these days. Whether or not it is nation singers name-dropping ’70s and ’80s acts, paring up or overlaying those self same artists, or flat-out copying the timeless riffs and songwriting of these eras, there’s far more to the nation/rock crossover than Eagles.

Producer Dave Cobb’s credit embrace a few of nation music’s finest modern practitioners, like Jason Isbell and Sturgill Simpson, additional blurring the divide together with his direct and sap-free studio method. He mentioned he went into the second studio album by Sammy Hagar and the Circle, Loopy Occasions, to make “the definitive Sammy Hagar document.” Whether or not or not that is even attainable 4 many years into the Purple Rocker’s profession is debatable, however Cobb strips away a number of the baggage Hagar has been carrying to make certainly one of his most satisfying albums in years.

Nonetheless, this can be a Hagar document – with assist from former Van Halen bandmate Michael Anthony, son-of-a-legend drummer Jason Bonham and guitarist Vic Johnson – so the outcomes differ. No person expects the man behind “I Cannot Drive 55” to get too deep, and he would not. Loopy Occasions, in a method, is a pandemic album, or a minimum of one knowledgeable by residing in a time that is nonetheless attempting to make sense of the previous couple of years. After all, these “loopy instances” stretch again a bit additional than COVID, and Hagar addresses that in a roundabout, uncommitted method, too.

Largely although he performs rock ‘n’ roll that does not sound all that faraway from the period that handled him finest, the ’80s. Nonetheless, he traverses the many years, dipping into Elvis Costello‘s late-’70s catalog for a volume-enhanced “Pump It Up” and making some concessions to modern-day expertise within the buzzing “Loopy Occasions.” He even pushes the heaviness in each his voice and the music towards ’90s grunge within the powerful opener “Gradual Drain” (as in “Watching the world go down … “).

Cobb’s job right here is to reign in Hagar’s most base instincts, and for probably the most half, he succeeds. (“Funky Feng Shui” is as groan-worthy as its title, and the throwaway Costello cowl can be higher as a B-side.) “You Get What You Pay For” is about as shut as Hagar has come to his Van Halen days since he left the band, and Loopy Occasions‘ title observe makes good use of Cobb’s gravel-strewn affiliation with nation outlaw Chris Stapleton. The one instances the producer attracts Hagar into his world are within the simpler-times recollection “Be Nonetheless” and the slow-building “Father Time.” Is Loopy Occasions the definitive Hagar album Cobb got down to make? Probably not. However he hasn’t sounded this good for the reason that twentieth century ended.

The Greatest Tune From Each Sammy Hagar Album

Solo or in a bunch, he proves there’s multiple option to rock.

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