AC/DC Issue ‘For Those About to Rock We Salute You’


As immensely profitable as AC/DC’s 1980 album Again in Black was (it has offered round 50 million copies worldwide), the band didn’t have a No. 1 report till their seventh North American launch, For These About to Rock We Salute You got here out on Nov. 23, 1981.

The band got here out of the gate with a full arsenal – actually. “For These About to Rock (We Salute You),” now a standard show-closer, is a mid-paced stormer in regards to the band’s appreciation for its followers, and about three-and-a-half minutes in, the music is punctuated with cannon blasts that proceed till the tip of the tune. It’s such a superb tune that it makes the opposite songs on the album, which rock in their very own proper, sound considerably anemic by comparability.

AC/DC, “For These About to Rock (We Salute You)”

Actually, AC/DC have been in a no-win scenario, and after they went supernova with the discharge of Again in Black in 1980, the group turned a sufferer of its personal recognition. There was no means they have been going to match the cultural impression of that album, so that they tried one thing completely different. The issue was, they didn’t know precisely what they needed and it reveals.

The band started engaged on For These About to Rock We Salute You in July 1981 at EMI Pathe-Marconi Studios in Paris. They employed producer Robert John “Mutt” Lange, who had labored on their earlier two albums and straight away they bumped into issues. Sad with the sound they have been getting, they relocated to a warehouse on the sting of town and rented the Cellular One studio.

After they recorded the music, Johnson tracked his vocals at Household Sound Studio after which AC/DC recorded overdubs at HIS Studios. Although they have been finished in September 1981 they second-guessed themselves all the way in which and by the point they have been completed they didn’t know if they’d recorded one other hit or dedicated industrial suicide. Probably because of their sad experiences recording the album, For These About to Rock We Salute You marked the tip of AC/DC’s working relationship with Lange.

“Christ! It took us ceaselessly to make that report and it sounds prefer it,” the late Malcolm Younger instructed Steel CD in 1992. “It’s stuffed with bits and items and it doesn’t stream correctly like an AC/DC album ought to… By the point we’d accomplished it I don’t assume anybody …may inform whether or not it sounded proper or unsuitable.”

AC/DC, “Let’s Get It Up”

There’s fairly a little bit of variety on For These About to Rock We Salute You, which mixes a variety of distorted, bluesy riffs, string-bending solos and left hand tapping with devilish lyrics about getting robust (“Put the Finger on You”), getting off (“Let’s Get It Up,” “Inject the Venom”), getting f—ed over (“Snowballed”) and getting ugly (“C.O.D,” “Evil Walks” and the Night time Prowler-ish “Night time of the Lengthy Knives”). There’s even a political Johnson-penned monitor (“Breaking the Guidelines”), however that solely emphasizes the general schizophrenic really feel of the report.

“Snowballed” and “C.O.D.” sound like conventional AC/DC, however lack the chunk of something off Again in Black, whereas “Spellbound” is a cool tune and aggressively trudges and kilos, but “Put the Finger on You” appears like light-weight ‘80s radio rock.

The band blamed Lange and their administration for his or her incapacity to attach musically with the coherence they’d previously and close to the tip of the recording session they fired supervisor Peter Mensch. “I began getting bizarre vibes after [they played] Donnington, [England],” he instructed Q in 1997. “[The band’s] lawyer phoned David Krebs and he referred to as me and mentioned I used to be fired. They by no means instructed me why. I used to be surprised. Until then my s— didn’t odor.”

Regardless of its setbacks, For These About to Rock We Salute You continues to be certainly one of AC/DC’s most satisfying Brian Johnson-fronted releases. The band’s ambivalence in regards to the launch and the critics’ detrimental feedback didn’t rub off on the followers. Not solely did For These About to Rock We Salute You debut at No. 1 on the Billboard album chart, it remained on the high for 3 weeks and was licensed platinum on Jan. 20, 1982, precisely two months after it was launched. In January 2001 the report was quadruple platinum.

Nearly a decade after the preliminary launch of For These About to Rock We Salute You, AC/DC headlined a live performance in Moscow referred to as “For Those About to Rock, Monsters in Moscow,” which additionally featured Metallica, Pantera, the Black Crowes and native thrash group E.S.T. The open-air occasion, which befell because the Soviet Union crumbled, drew 1.6 million folks, most of whom have been having fun with their first sanctioned rock competition. A house video capturing the occasion got here out in 1992, however of the 4 AC/DC songs within the Wayne Isham-directed movie, solely “For These About to Rock (We Salute You)” is from the album of the identical title. The video additionally options three Metallica songs and 4 Pantera tunes.

Loudwire contributor Jon Wiederhorn is the creator of Raising Hell: Backstage Tales From the Lives of Metal Legends, co-author of Louder Than Hell: The Definitive Oral History of Metal, in addition to the co-author of Scott Ian’s autobiography, I’m the Man: The Story of That Guy From Anthrax, and Al Jourgensen’s autobiography, Ministry: The Lost Gospels According to Al Jourgensen and the Agnostic Entrance e-book My Riot! Grit, Guts and Glory.

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