It’s finally here! The 6th studio LP from Ohio horrorcore trio Alla Xul Elu. Consisting of Billy Obey as well as Joey Black & Lee Carver, they broke out in 2015 as a duo by releasing their first 2 albums Head of Horns & Sci-Co that same year. This was followed up with their 4/20-themed debut EP Necronomichron in 2017 & adding Carver into the fold shortly after, but it wasn’t until Twiztid signed them to Majik Ninja Entertainment in 2018 when the Xul Boys’ music got increasingly better. Their MNE debut The Almighty is unquestionably the greatest horrorcore album of the 2010s, their 2019 sophomore EP Church of Xul took a much darker approach, Mauxuleum made it in the top 10 of my Best Releases of 2020 list despite them ditching their signature boom bap sound for a more industrial, trap metal direction & Necronomichron 2: Dead by Bong was a superior sequel to their 4/20 EP. The Magic Xul Bus was a dope prelude to a body of work that’s been a long time & Mike E. Clark has finally teamed up with them to watch the Gods of Evil Rise.
After the intro, the first song “Paint the Town Red” is this rap rock intro talking about leaving 36 muhfuckas dead in their city whereas the 2nd & final single “Horns Over Halos” references 2-time WWE Hall of Famer, former 6-time WWE Champion, 2-time WWE Intercontinental Champion, 2-time WWE United States Champion, 5-time WWE Tag Team Champion & NWA World Tag Team Champion Stone Cold Steve Austin.
“The Cleansing” infernally talks about the sky being cracked in half with absolutely nothing we can do about it whatsoever prior to the lead single “‘Till We Meat” wickedly gets in their storytelling bag discussing the names of the people they’ve killed looking at the Tinder app. “Light Up My Life” describes the feeling of being trapped in one’s own skin as a prisoner & hiding in another’s playing the songs they liked while “Let It Burn” calls out the hypocrisies of the churches.
As for “Suicide Drive”, we have Xul menacingly talking about commuting vehicular suicide since the death mobile needs a ride & they can be caught at a high speed just before “God Damaged” turns up the rap rock influences suggesting this being unavoidable & enjoy it sitting back. “Make Believe” talks about the possibility of the trio never making it to heaven & I can relate to that theme personally when I’m at my lowest, but then “Spill Your Guts” feels more like a skit.
“Herd the Horde” fuses g-funk, horrorcore & boom bap together asking what you’re praying for & to sign your life away while “The Saints” talks about the only guideline in the shadow of death being all life remaining forbidden along with raising the murder rates. “From the Heart” makes a dedication to the lost & lonely ones assuring they’re not alone whatsoever surviving amongst their better judgments & “Wave Goodbye” serves as this humorous skit used as an outro.
It’s been said this was in the works for several years at this point & many thought it wouldn’t ever see the day. Now that it’s here, it lived up to my expectations reaching the bar The Almighty had set 7 years ago with another generational horrorcore classic & what could possibly be their final MNE release to focus on continually building Long Live Evil as it’s own thing. Mike E. Clark’s production top to bottom is still as creative when working with Psychopathic Records founders Insane Clown Posse & Top Dog Records founder Kid Rock’s, bringing Xul’s well-crafted horrorcore lyrics to life soundtracking it.
Score: 9/10
