When it comes to hard rock, few names carry the thunderous weight of AC/DC. With decades of electrifying riffs, rebellious lyrics, and stage-shaking energy, this legendary Australian band has carved out a legacy that echoes across generations. From working-class pubs to sold-out stadiums, AC/DC’s music has always been about raw power, no-frills rock, and living loud. Whether it’s the snarling vocals of Bon Scott or the gravel-throated growl of Brian Johnson, their songs are anthems of defiance, decadence, and pure adrenaline.
But with a catalog so packed with iconic hits, which tracks truly stand above the rest? In this countdown, we’re cranking the amps to 11 and diving into the Top 10 Most Popular AC/DC Songs of All Time—the tracks that defined their career, shook the rock world to its core, and continue to ignite crowds to this day. From the devilish stomp of “Highway to Hell” to the electrifying pulse of “Thunderstruck,” these are the songs that prove AC/DC isn’t just a band—they’re a force of nature.
So grab your air guitar, throw on a schoolboy uniform (optional), and let’s take a high-voltage ride through rock history. Ready? Let there be rock! ⚡🎸
1. Back in Black (1980)
“Back in Black” isn’t just a song—it’s a thunderous comeback and a powerful tribute. Released in July 1980, it marked AC/DC’s first album after the death of their original lead singer, Bon Scott. Rather than retreat in grief, the band pushed forward, introducing new frontman Brian Johnson with an unforgettable blast of energy. The song’s signature riff, crafted by Angus Young, is one of the most iconic in rock history—sharp, bold, and instantly recognizable. Johnson’s gravelly vocals inject the track with a fiery confidence, capturing both mourning and determination. The minimalist rhythm and tight production make the song lean but lethal, a perfect example of AC/DC’s no-frills rock philosophy. It’s a fitting tribute to Scott, but also a fearless announcement that the band was just getting started. Decades later, “Back in Black” remains a staple of sports arenas, movie soundtracks, and classic rock playlists. Its staying power lies in its raw honesty—equal parts swagger and sorrow. Whether you’re a lifelong fan or hearing it for the first time, it hits with the same electrifying force. “Back in Black” isn’t just a track—it’s rock ‘n’ roll immortality.
2. Highway to Hell (1979)
Released in July 1979, “Highway to Hell” is the song that catapulted AC/DC into international stardom—and tragically became Bon Scott’s final studio recording before his death. From the first notes of Angus Young’s searing guitar riff, the track grabs hold and never lets go. It’s bold, brash, and bursting with rebellious spirit. Bon Scott’s vocals are gritty and charismatic, delivering lyrics that feel like a hard-living manifesto. The title may sound ominous, but there’s a strange joy in the song’s defiance. It’s less a warning and more a celebration of a wild, uncompromising life. Scott’s swagger pairs perfectly with the band’s muscular groove, turning the track into an instant classic. “Highway to Hell” became an anthem for rock and roll’s outlaw spirit—embracing the highs, the lows, and everything in between. With its blend of melodic hooks and raw energy, the song embodies everything AC/DC stands for: powerful riffs, punchy rhythms, and no apologies. Over the years, it’s become a cultural landmark, a rite of passage for rock fans around the world. Whether it’s blasting at full volume or fueling a stadium crowd, “Highway to Hell” still feels as dangerous—and thrilling—as ever.
3. Thunderstruck (1990)
With the release of “Thunderstruck” in September 1990, AC/DC proved they weren’t just legends of the past—they were still charging full force into the future. Opening their album The Razors Edge, the track kicks off with one of the most iconic guitar intros in rock history. Angus Young’s lightning-fast, finger-tapping riff sounds like electricity itself, perfectly matched by Brian Johnson’s powerhouse vocals. Johnson sounds like he’s been struck by a storm and is roaring back with a vengeance. The lyrics echo the sheer impact of the music—describing an overwhelming, all-consuming jolt of power and adrenaline. What makes “Thunderstruck” stand out is its relentless momentum; from start to finish, it never lets up. It’s precise yet wild, polished yet feral. The song became a massive hit, especially at sports events and action movies, where its explosive energy fits like a glove. Even decades later, it continues to fire up crowds, proving its lasting appeal. Whether you’re a die-hard fan or a casual listener, “Thunderstruck” is impossible to ignore. It’s more than just a song—it’s a sonic blast of pure rock electricity that never fails to jolt you to life.
4. You Shook Me All Night Long (1980)
“You Shook Me All Night Long,” released in August 1980, is one of AC/DC’s most universally beloved songs—and for good reason. It showed a lighter, more playful side of the band without losing their signature punch. Taken from the monumental Back in Black album, the track marks one of Brian Johnson’s finest moments. His vocals are cheeky and charismatic, weaving innuendo-laden lyrics with just the right amount of grin. The twin guitar attack from Angus and Malcolm Young is razor-sharp yet irresistibly smooth, creating a groove that’s as danceable as it is headbang-worthy. The song’s mid-tempo rhythm and catchy chorus made it one of the band’s most accessible hits, crossing into mainstream radio and reaching audiences far beyond their typical hard rock crowd. It’s become a staple at weddings, parties, and karaoke nights, where its joyous energy always gets people moving. Unlike many of the band’s darker, heavier tracks, this one is about pure, lustful fun—and it delivers that in spades. “You Shook Me All Night Long” proves that AC/DC could flirt just as fiercely as they could fight, creating a rock anthem that’s stood the test of time with style and swagger.
5. Hells Bells (1980)
The opening chime of “Hells Bells” doesn’t just set the mood—it chills you to the bone. Released in October 1980 as the first track on Back in Black, the song begins with the tolling of a massive bronze bell, setting a somber and ominous tone that perfectly reflects the band’s grief over Bon Scott’s passing. But what follows is anything but a funeral march. As the bell fades, Angus Young’s dark, creeping riff takes over, building suspense until the full band crashes in. Brian Johnson’s vocals are commanding, part preacher, part hellraiser, warning of a storm that’s about to break loose. The song unfolds slowly and deliberately, giving every note and beat space to breathe—and hit hard. It’s a masterclass in tension and release. “Hells Bells” isn’t just a tribute—it’s a declaration that AC/DC was rising from the ashes with even more force. Over the years, it’s become a staple concert opener, often accompanied by a literal bell hanging above the stage. With its gothic atmosphere and thunderous sound, “Hells Bells” shows that AC/DC didn’t just survive tragedy—they turned it into one of their most powerful statements.
6. T.N.T. (1975)
Released in December 1975 on the T.N.T. album, AC/DC’s “T.N.T.” is a fierce declaration of rock aggression. From the moment it kicks in, the song hits hard with a primal riff and an energy that’s as raw as it gets. Bon Scott’s voice is a mixture of menace and charisma, with each “Oi! Oi! Oi!” echoing through the track like a rallying cry for all the rebels, misfits, and thrill-seekers in the crowd. The lyrics are pure swagger: Scott proclaims himself as a “power load,” someone who’s ready to explode and take the world down with him. The song’s simple, punchy riff is the perfect vehicle for this kind of larger-than-life attitude. The production, gritty and unpolished, complements the rawness of the sound, capturing the essence of AC/DC’s early days. “T.N.T.” is a warning shot across the bow of conventional rock ‘n’ roll, demanding attention and setting the stage for what was to come. When it blares through the speakers, you know it’s about to get loud—and there’s no turning back.
7. Whole Lotta Rosie (1977)
“Whole Lotta Rosie,” released in February 1977 on Let There Be Rock, is a high-octane anthem of pure rock ‘n’ roll energy. Inspired by a real-life encounter Bon Scott had with a larger-than-life woman named Rosie, the song is unapologetically cheeky and full of high-voltage fun. Angus Young’s guitar riff is a blur of speed and precision, driving the track with an intensity that matches Scott’s bold, larger-than-life vocal performance. The song tells Rosie’s story in a way that only AC/DC can—both a tribute and a bit of shock humor, delivered with no regard for political correctness. From the very first note, the song’s momentum never lets up, transforming into a live favorite that often saw Angus stretching out solos and giving the crowd even more to shout about. The song’s energetic pace and no-holds-barred approach make it a perfect example of AC/DC’s fearless attitude, breaking all the rules and embracing the chaos of rock ‘n’ roll. “Whole Lotta Rosie” is raw, over-the-top, and unforgettable—just like the band itself.
8. Shoot to Thrill (1980)
“Shoot to Thrill” is one of the standout tracks on Back in Black that has grown into a fan favorite over the years. Bursting with energy from the moment the opening riff cuts through the air, the song is an anthem for anyone living life on the edge. Brian Johnson delivers his vocals with an intensity that matches the urgency of the music, embodying the feeling of chasing danger and living fast. The lyrics convey a sense of daring and excitement, celebrating life’s risks and rewards, with a raucous, thrill-seeking spirit. The song’s breakdown is particularly noteworthy, building the tension before unleashing a fiery final chorus that packs a punch. Although it didn’t initially garner the same attention as some of AC/DC’s other hits, “Shoot to Thrill” has become a staple of the band’s live performances, showing off their electrifying stage presence. It also found new life when featured in the 2010 film Iron Man 2, introducing it to a fresh generation of fans. “Shoot to Thrill” is a track that encapsulates the energy, swagger, and thrill that AC/DC is known for—tight, thrilling, and relentless.
9. Dirty Deeds Done Dirt Cheap (1976)
Released in November 1976, Dirty Deeds Done Dirt Cheap is where AC/DC fully embraces their mischievous side. The title track from their third album, it features Bon Scott playing the role of a shady hitman-for-hire, offering his services with a snarky smile and a devil-may-care attitude. The riff is heavy and sinister, while the chorus is catchy, with Scott’s gravelly voice delivering a dark, tongue-in-cheek narrative. There’s a playful quality to the song, despite its grim subject matter, with a punkish sense of fun underscoring the whole track. AC/DC’s knack for balancing menace with humor is on full display here, as the band expertly blends the two in a way that only they can. Initially banned or delayed in some countries for its provocative content, the song eventually gained a massive following. Its infectious, rebellious energy, coupled with its unforgettable hook, made “Dirty Deeds Done Dirt Cheap” a staple in the AC/DC catalog and a fan favorite for years to come.
10. It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll) (1975)
Few songs capture the struggle and glory of being a rock musician like It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll), released in December 1975 on the T.N.T. album. The song’s autobiographical lyrics, sung by Bon Scott, detail the hardships and frustrations that come with the rock ‘n’ roll lifestyle—from broken bones to bad crowds and long, grueling tours. It’s not a glamorous view of fame, but one that rings true for anyone who’s ever had to work their way to the top. What truly sets the song apart is its unique fusion of hard rock with traditional Scottish instrumentation, thanks to Scott’s background as a piper. The use of bagpipes, in particular, gives the song an added layer of character, combining two seemingly unrelated musical styles in a way that feels natural and inspired. The song’s steady, marching rhythm echoes the determination and perseverance needed to make it in the business. With its anthemic, defiant tone, It’s a Long Way to the Top has become a timeless reminder of the grind behind the glory, an honest and personal ode to the rock ‘n’ roll dream.
Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
