Atlanta, Georgia emcee/producer Tha God Fahim continuing to dump with his 59th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY run since 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Dump Gawd: Hyperbolic Time Chamber Rap 10 came out a few days ago & the saga is continuing with an 11th installment.
“Make Better” is this chipmunk soul intro talking about taking the good & the bad to make improvements on top of flexing the unprecedented run he’s been on whereas “Guardian of Styles” featuring Jay NiCE keeps it drumless to call themselves the keepers of the technique. “Hungry 4 da Market” takes the boom bap route instrumentally likening his fighting style to the iconic Chuck Norris while “Motion” jazzily strips the drums again talking about having movement.
Jay NiCE returns for “No Days Without Dumpin’” getting back on the chipmunk soul vibe again so they can discuss not taking any days off in 2025 dumpin’ on the daily while “What Im Dishin’” featuring Jay NiCE talks about serving nothing but absolute heat on their ends references Homelander from The Boys on the Amazon-owned Prime Video. “Tha Lawbringing Revolver” finishes the EP with 1 more drumless track wanting to live comfortably & fleeing the country after concluding the saga 89 entries from now.
Given that I’ve been highly favorable towards the entire Dump Gawd: Hyperbolic Time Chamber Rap saga up until this point, it might come as a surprise to many to hear me call this the weakest installment of the series so far although it’s still very much enjoyable. Nicholas Craven’s production here prominently centered around the drumless style on here & I appreciate hearing Jay NiCE on nearly half of it, but I hope to see more guests down the line as opposed to solely him or Big Cheeko.
Score: 7/10
